Annette Kuhn’s model of censorship, outlined in her Cinema, Censorship and Sexuality: 1909-1925, details censorship as a process “produced within an array of constantly shifting discourses, practices, and apparatuses” (1988: 127) rather than simply cuts and bans imposed by censors. Despite increased transparency and liberalisation at the British Board of Film Classification (BBFC) in recent decades, Britain remains one of the most censorious democratic countries in the world.
